New York · Spring Season

Pointe2025Season

March 14 – April 26, 2025 · David H. Koch Theater

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Where Rosin
Meets Impulse

Ballet dancer mid-arabesque in a sunlit studio, leg extended behind at full height
Spring 2025
Advanced
MonWedFri

Pre-Professional Technique

4:00 – 6:30 PM

Vaganova syllabus, pointe work, and partnering for conservatory-track dancers ages 14–19.

The floor remembers every dancer who has stood here. That weight is not a burden — it is a gift.

— Nadia Fontaine, Resident Choreographer
Two dancers in contemporary floor work, one supporting the other in a low lift on marley floor
Workshop

Contemporary Floor Work

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34Conservatory placements in the last 5 years
Open
TueThu

Adult Returners Barre

7:00 – 8:30 PM

Rebuild your technique in a studio that respects what your body already knows. All levels, 18+.

Discipline is not the enemy of wildness. It is the architecture that makes wildness possible.

— Marcus Webb, Guest Artist
Intermediate
Sat

Contemporary Fusion

10:00 AM – 1:00 PM

Barre conditioning meets release technique and improvisation. Bring your edges.

1962Year the sprung floor was first laid
Solo dancer in a dramatic contemporary pose against a dark backdrop, arms wide and head tilted back
April 2025

Guest Artist Workshop

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The Curtain
Rises

Four programs. One season. The unmistakable urgency of a curtain about to rise — felt in the chest before the lights even dim.

Dancers in white tutus performing classical études on stage, arms in perfect fifth position
Opening Night
March 14–16

Études

Knudåge Riisager

Choreography: Harald Lander / restaged by Nadia Fontaine

Guest: Elena Vassiliev, Principal — Paris Opera Ballet

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Contemporary dancer in dramatic low lighting, body twisted in an extreme contraction against a dark backdrop
World Premiere
March 28–30

Dark Matter

Nico Muhly (world premiere score)

Choreography: Marcus Webb

Guest: Commissioned by the Pointe Ensemble

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Two dancers in athletic contemporary wear mid-duet, one suspended above the floor in a supported lift
Sold Out
April 11–13

In the Middle, Somewhat Elevated

Thom Willems

Choreography: William Forsythe

Full company bow on stage at season finale, dancers in varied costumes taking a curtain call
Season Finale
April 25–26

Closing Gala

Various

Choreography: Company & Guest Artists

Guest: Season company + invited soloists

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Find Your
Floor

Three distinct paths. One sprung floor. Whether you are chasing a conservatory letter or simply reclaiming your body's first language.

Young ballet dancer in a studio executing a high arabesque in pointe shoes, coach visible in background

Conservatory Track

Vaganova syllabus, pointe work, variations, partnering, and audition coaching for dancers ages 14–19 pursuing conservatory acceptance. 34 graduates placed in the last five years.

5 days / weekAges 14–19Audition required
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Barre & Beyond

Your body never forgot. We just help it remember. Foundational to advanced barre for dancers returning after time away. No audition — only intention.

2–3 days / weekAges 18+Open enrollment
Contemporary dancer in loose clothing mid-fall in a modern dance studio, arms reaching and torso curved

Structured Wildness

Barre conditioning, release technique, somatic practice, and open improvisation. For movers who want discipline without surrender.

SaturdaysAll levelsDrop-in available

Dancers Who
Trained Here

"

I auditioned for Juilliard three times before training here. After one year with Nadia's pre-professional track, I got in. The difference wasn't just technique — it was the way they teach you to inhabit the music.

Young South Asian woman with dark hair in a ballet bun, wearing a black leotard

Priya Chandrasekaran

Juilliard School, Class of 2024

"

I stopped dancing at 22 when life got in the way. I came back at 38 terrified my body had forgotten everything. It hadn't. This studio gave me back something I didn't know I was still grieving.

White woman in her late thirties with auburn hair, smiling warmly in a dance studio setting

Margot Ellison

Rejoined at 38 · Now teaching barre

"

I came from a hip-hop background and thought classical training would kill my style. Instead it gave me precision I never had. Now my freestyles have architecture.

Young Black man with short natural hair, athletic build, photographed in a contemporary dance studio

DeShawn Morales

Signed with Batsheva Dance Company

"

The Saturday contemporary class changed my relationship to effort. I used to fight the floor. Now I listen to it. Marcus Webb is unlike any teacher I've had.

Japanese American woman with sleek black hair, photographed in profile against a neutral background

Yuki Tanaka

Guest artist, Brooklyn Academy of Music

"

My daughter was accepted to the School of American Ballet after two years here. But more than the acceptance — she learned what it means to work. That's the real gift.

Nigerian American woman in her forties with natural hair, professional headshot style photograph

Catherine Okafor

Daughter: School of American Ballet, 2025